12-bar blues
A twelve-measure blues framework, commonly using tonic, subdominant and dominant harmony with many variants.
AcademyTHE LANGUAGE OF MUSIC
Musical vocabulary spans many traditions and keeps evolving. This broad catalogue explains each included term in context; language labels identify the term shown, including shared loanwords.
Every term is categorized. Terms with overlapping meanings appear in more than one category.
A twelve-measure blues framework, commonly using tonic, subdominant and dominant harmony with many variants.
A note lasting 1/128 of a whole note, called a semihemidemisemiquaver in British English.
A note lasting 1/256 of a whole note; extremely short values remain proportional and do not prescribe seconds.
Singing without instrumental accompaniment.
At ease; with relaxed freedom.
At the performer's discretion, especially in timing and expression.
Return to the tempo in effect before a temporary change.
A song form with two related A sections, a contrasting B bridge, and a return to A.
Ability to identify or produce a pitch without a reference tone.
Gradually increase the tempo.
Extra emphasis on a note through loudness, duration, articulation or placement.
A short grace-note ornament, usually notated with a slash, played very close to its principal note; timing varies by style.
A sharp, flat, natural or related sign that modifies a note's pitch.
Music supporting a principal melody, voice or solo part.
A free-reed instrument whose bellows drive air through reeds selected by keys or buttons.
The study of sound, its production, propagation and perception.
Abbreviation of ad libitum: at the performer's discretion.
At the performer's discretion; may permit flexible timing or omission of a part, depending on context.
Usually a little faster than adagio, or a short adagio movement.
A slow tempo; also a movement at that tempo.
A chord with an added scale tone without necessarily including intervening thirds, such as Cadd9.
Building a sound by combining multiple sinusoidal components.
An envelope with attack, decay, sustain and release stages; sustain is normally a level, not a duration.
The diatonic mode with degrees 1, 2, ♭3, 4, 5, ♭6, ♭7; equivalent to natural minor.
An instrument whose primary sound source is vibrating air.
With tenderness and affection.
Press forward or hurry the tempo.
With agitation and restless energy.
A song-like tune or instrumental piece; historically also a song or aria.
An opening, typically unmetered exploration of a raga in Hindustani performance.
An accompaniment pattern that repeats a broken chord, often low–high–middle–high.
Frequency artifacts caused when a signal is sampled or processed without adequate bandwidth control.
Cut time: normally 2/2, with two half-note beats per bar.
In the style of a march.
Gradually broaden the tempo, usually with an expansive expression.
Moderately fast, generally less brisk than allegro.
Very fast and lively.
A fast, lively tempo; exact speed depends on the piece.
A chord containing one or more chromatically changed tones relative to its basic form.
The seventh mode of melodic minor, often used over an altered dominant seventh chord.
A low female or high choral voice part; also a register label for instruments.
A C clef placing middle C on the third staff line.
In a gentle, pleasing manner.
With a loving, tender expression.
The magnitude of a signal's variation, related to but not identical with perceived loudness.
One or more notes before the first complete measure, leading into its downbeat.
At a walking pace, moderately slow.
A tempo close to andante; historically used for both slightly faster and slightly slower speeds.